策站 — 汇聚全球展厅展馆设计策展与分享

一座无实物的展馆 I 意大利M9博物馆

©Alessandro Orlandini

M9 是一个专门的多媒体博物馆，是意大利第一个无物博物馆：这个展览围绕着一百多个意大利档案馆中发现的视频、摄影、图形和文献资料而建立，这些资料也许比其他任何东西都更能描述这些变化我们国家在上个世纪经历的生活条件、习惯和文化。M9 Karmachina 与 Engineering Associates 合作设计了第 1 部分“我们过去和现在的方式：人口和社会结构”和第 6 部分“Res Publica：国家、其机构和政治”。

为了描述所涉及的广泛的人口、社会和政治变化的复杂性，根据博物馆的策展人，我们决定通过并列两个不同的维度来处理我们的部分：宏观和微观、公共和私人、集体和私人亲密的。根据人体测量学的变化、移民流动、传统的变化、战争经历和经济或政治变化，对一个民族、其历史和各种统计数据的分析与个人的私人经历一起呈现。这两个不同的维度导致了不同的展示和交互设计，也影响了档案材料的选择和内容的处理方式。

M9 is a specialized multimedia museum and the first Italian museum without objects: this exhibition is built around video, photography, graphics, and documentary materials found in over a hundred Italian archives, which may better describe the living conditions, habits, and culture that our country has experienced in the past century than anything else. M9 Karmachina collaborated with Engineering Associates to design Part 1, "Our Past and Present Ways: Population and Social Structure," and Part 6, "Res Publica: The State, Its Institutions, and Politics.
In order to describe the complexity of the extensive demographic, social, and political changes involved, according to the curators of the museum, we have decided to approach our part by juxtaposing two different dimensions: macro and micro, public and private, collective and private intimate. According to Anthropometry changes, migration flows, traditional changes, war experiences, and economic or political changes, the analysis of a nation, its history, and various statistical data is presented together with personal experiences. These two different dimensions lead to different display and Interaction design, and also affect the selection of archive materials and the way of content processing.

——————

项目信息

项目名称：意大利M9博物馆

时间：2018 年 12 月 - 进行中

地址：M9 20 世纪博物馆，梅斯特（威尼斯）

客户：威尼斯基金会

意大利M9博物馆

M9 Museum in Italy

---

M9博物馆为传承20世纪的文化而建,坐落在通往威尼斯的大陆门户——梅斯特.该项目开辟了昔日被军事机构占据的中心地带,打造了一系列全新的公共空间.由多条人行步道编织而成的“步道网络”已然成为该社区的特色,让这博物馆区嵌入梅斯特的城市肌理之中.费雷托广场和卡普契纳大街之间的步道开满各种商店、咖啡馆和餐厅,吸引并引导游客穿过整片建筑群,到达位于中心的“博物馆广场。

M9 Museum is built to inherit the culture of the 20th century. It is located in Mestes, the mainland gateway to Venice. This project has opened up the central area once occupied by military institutions and created a series of new public spaces. The "trail network" woven by multiple pedestrian trails has become the characteristics of the community, Let this museum area be embedded in the urban fabric of Mestes. The footpath between Ferreto Square and Kapuchina Street is full of shops, cafes and restaurants, attracting and guiding tourists through the whole building complex to the "Museum Square" in the center.

©Alessandro Orlandini

意大利人在 20 世纪发生了怎样的变化？M9 的第 1 节强调了环境条件、迁徙流动、历史事件和经济动态对其人口规模和构成以及社会动态的影响。

What changes did Italians undergo in the 20th century? The first section of M9 emphasizes the impact of environmental conditions, migration and mobility, historical events, and economic dynamics on its population size and composition, as well as social dynamics.

©Alessandro Orlandini

1901 年、1961 年和 2011 年的三幅伟大的意大利人群像指向了人口变化，而六幅“魔镜”则向游客展示了通过假设的倒退时间旅行，甚至人们的外貌都发生了怎样的变化。大型投影投影了主要的移民和移民路线，而在 20 世纪期间离开原籍国的男性和女性的第一手资料则呈现在桌面展示上。交互式信息图形可以更好地了解从 20 世纪初到现在在意大利出生、成长和死亡的数据，而对面墙上的屏幕马赛克灵感来自家庭照片的相框回忆从意大利人的感受和他们对这些事件的情绪反应的角度来看，同样的问题。

The three great group portraits of Italians in 1901, 1961 and 2011 point to the demographic changes, while the six "magic mirrors" show tourists how people's appearance has changed even through the hypothetical backward Time travel. The large projection projects the main immigration and immigration routes, while first-hand information on men and women who left their countries of origin during the 20th century is now displayed on the desktop. Interactive Infographic can better understand the data of birth, growth and death in Italy from the early 20th century to the present, while the screen mosaic on the opposite wall is inspired by the picture frame of family photos. From the perspective of Italian feelings and their emotional reactions to these events, the same problem exists.

©Alessandro Orlandini

为了描述上世纪的大战并强调这些事件之间的连续性和密切联系，我们决定创造一个单一的环境，我们可以在其中展开一种现象的叙述，即战争，这种现象从未像现在这样包罗万象。就像那时一样。受战壕、非洲沙漠、防空洞和军事墓地启发的装置描述了第一次和第二次世界大战以及意大利的殖民冲突。在政治舞台上，20世纪伟大政治领袖的全息图交替出现，而观众则被360°投影和3D音频环境所包围，这为个人与政治之间的关系提供了历时性的描述随着时间的推移而改变。在以监狱探视室为基础的私密环境中。

In order to describe the great wars of the last century and emphasize the continuity and close connection between these events, we have decided to create a single environment in which we can unfold the narrative of a phenomenon called war, which has never been more comprehensive than it is now. Just like at that time. Installations inspired by trenches, African deserts, Air raid shelter and military cemeteries describe the First and World War II and the colonial conflict in Italy. On the political stage, holograms of great 20th century political leaders alternate, while the audience is surrounded by 360 ° projection and 3D audio environments, providing a diachronic description of the relationship between individuals and politics that changes over time. In a private environment based on prison visitation rooms.

©Alessandro Orlandini

M9 博物馆的第 1 和第 6 部分由额外的内容和游戏体验完成，游客可以通过在特殊阅读器上刷入门票来访问。其中包括带有存档镜头的情侣游戏，将物品放入移民的手提箱，以及神奇的镜子，我们可以尝试通过这些镜子了解作为我们的祖先一定是什么样的，从而成为整个叙事的核心：什么比把自己的脸混进来更好的方法来实现这一点？

The first and sixth parts of the M9 Museum are completed with additional content and gaming experience, and visitors can access them by swiping entry tickets on special readers. This includes a couple game with archive footage, placing items in immigrant suitcases, and magical mirrors through which we can try to understand what our ancestors must be like, becoming the core of the entire narrative: what better way to achieve this than mixing our own faces in?

©Alessandro Orlandini

项目信息

项目名称：意大利M9博物馆

时间：2018 年 12 月 - 进行中

地址：M9 20 世纪博物馆，梅斯特（威尼斯）

客户：威尼斯基金会

团队：由 Karmachina e Engineering Associates 策划的游客体验设计与开发。Karmachina e Engineering Associates 与 Dwa Design Studio e Davide Sgalippa 合作参与了博物馆的多媒体行程设计。Karmachina - 多媒体内容开发Engineering Associates - 软件和互动系统开发Vinicio Bordin, Paolo Ranieri, Rino Stefano Tagliafierro - 艺术指导和指导Paolo Ranieri - 项目经理Liliana Redaelli - 多媒体和软件架构师Lara Aleotti - 项目经理助理和生产经理Lara Aleotti , Giulia botta - 内容协调Giulia Botta, Valentina Di Liddo - 图像研究Giuliano Corti - 脚本Filippo Marta - 视频后期制作经理

Grazia Canale - 平面设计

Alessandro Orlandini - 摄影师

投稿邮箱：cezn.cn@outlook.com

关注公众号

关注视频号

推荐更多

换一换