策站 — 汇聚全球展厅展馆设计策展与分享

重拾遗落之翼 I 广州空港融创中心

荷兰科学家克鲁岑提出“人类世”概念，明确指出地球已经结束了。长达11700多年的“全新世”人类已成为地质运动的主要力量，决定性地影响着地球生态以及地球未来的发展，人类总是在寻找一架“能够对抗现实，寻找理想家园”的方舟，去承载和启航而事实上，每一次有效的城市变革就是一次微型的方舟式呈现。

Dutch scientist Krutzen put forward the concept of "Anthropocene", clearly pointing out that the earth has come to an end. In the "Holocene" that lasted more than 11,700 years, human beings have become the main force of geological movements, decisively affecting the earth's ecology and the future development of the earth. Human beings are always looking for an ark that "can fight against reality and find an ideal home" to carry and set sail. In fact, every effective urban transformation is a miniature ark-like presentation

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项目名称：广州空港中央商务区空港融创中心展示区

设计单位：广州共生形态工程设计有限公司

参与设计：谢紫山、吴永龙、陈莉莉

项目业主：广州融创空港城投房地产开发有限公司

广州空港融创中心

Guangzhou Airport Sunac Center

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本项目依托于作为我国三大枢纽机场之一的白云机场，地处机场与中心城区的交通必经节点，是集商业、办公、展览、政府服务等于一体的空港TOD项目。其意义在于，重塑城市格局、创造城市经济与人文新价值。

The project relies on Baiyun Airport, one of the three major hub airports in my country, and is located at the traffic node between the airport and the central urban area. It is an airport TOD project integrating business, office, exhibition and government services. Its significance lies in reshaping the urban pattern and creating new values of urban economy and humanities.

登陆 / LANDING 遥远地呼应漂浮并衔接

Landing / LANDING Echoing from a distance, floating and connecting

关于未来，除了想象力与憧憬，我们更需要具体的蓝图与构想。

Regarding the future, in addition to imagination and vision, we need more specific blueprints and ideas.

经由太空登陆舱式的二层接待大厅，关于未来之城的图景，一幕一幕徐徐展开。品牌馆和城市展厅以衔接的方式，引导着人们在连续的空间中感受关于理想未来的宏观体验。

Through the space landing capsule-style reception hall on the second floor, scenes of the future city slowly unfolded. The brand pavilion and the city exhibition hall guide people to feel the macro experience of the ideal future in a continuous space in a cohesive manner.

与此同时，人们的身份在游移与穿梭之间转变着，从蓝图之外的参观者一步一步成为蓝图之中的构建者，更因呼应而锚固，在潜意识深处完成与个体生命细节有关的未来式探索。

At the same time, people's identities are changing between wandering and shuttling, step by step from visitors outside the blueprint to builders in the blueprint, anchored by echoes, and completing future exploration related to the details of individual life in the depths of the subconscious.

科学技术构建有力的支撑，而人文艺术则指引前进的方向。重拾遗落的飞翼，即回归诗意的栖居。

Science and technology build a strong support, while humanities and arts guide the way forward. To regain the lost flying wings is to return to the poetic dwelling.

未来之城的模型之上，童年的风筝迎风高飞。过去与未来交织在一起，记忆与期盼延伸向沙盘展示区垂直方向上的两端，它们彼此交融，彼此共生，既承诺着未来城市生活中的美好，也探寻着人类存在的本质。

On the model of the city of the future, the kites of childhood fly high in the wind. The past and the future are intertwined, and memories and expectations extend to both ends of the sand table display area in the vertical direction. They blend and coexist with each other, promising the beauty of future urban life and exploring the essence of human existence.

在城市机场高速的方向上观看，两层挑高的未来之城沙盘展示区，犹如一个巨大的橱窗艺术品，“风筝”装置成为凝望的焦点。

赛博朋克更像一个灰色的预言，但更多的时候它将自己的力量折射为对当下社会文化的反思。

Viewed from the direction of the city airport expressway, the double-height future city sand table display area is like a huge window artwork, and the "kite" device becomes the focus of gaze.

Cyberpunk is more like a gray prophecy, but more often it reflects its own power as a reflection on the current social culture

造城，一场旷日持久的成长与消耗。关于未来之城的具体细节与深入探讨，都将在这个兼顾水吧服务功能的洽谈区内展开。未来就在当下发生。

Building a city is a protracted process of growth and consumption. The specific details and in-depth discussions about the city of the future will be carried out in this negotiation area that takes into account the service functions of the water bar. The future is happening right now.

在这里，我们以赛博朋克为空间表达方式，写下关于科技、赛博、数字革命的灰色预言，在反思中怀揣敬畏，不再回避人作为自然的一部分。

Here, we use cyberpunk as the space expression, write down the gray predictions about technology, cyber, and digital revolution, hold awe in reflection, and no longer avoid human beings as a part of nature.

人才有可能保持最低限度的自然属性，而不至于成为异化的机器。

It is possible for human beings to maintain a minimum of natural attributes without becoming alienated machines.

所有的反思都暗示着一种逆向关系的生成与构建，如同飞逝的时光之矢，只有在某一个特殊的时刻回指向自我之时，才能看见遥远而真切的初始之心。

All reflections imply the generation and construction of a reverse relationship, like the arrow of time passing by, and only when pointing back to oneself at a certain special moment can one see the distant and true original heart.

我们可以把这趟“重返”，理解为一种精神上的“还乡”。因为，也只有从精神上回到故乡，人才有可能保持最低限度的自然属性，而不至于成为异化的机器。

We can understand this "return" as a kind of spiritual "return". Because, only by returning to the hometown spiritually can it be possible for people to maintain the minimum natural attributes and not become alienated machines.

路演大厅内，未来的城市图景绚烂而精彩，数字大屏以超现实的视觉力生成流动的镜像体验。

然而，虚拟与现实并不因过程而相互连接，就如同当下与未来，它们会在整合、组织以及协调过程中共同抵达。

In the road show hall, the future urban landscape is gorgeous and exciting, and the digital large screen generates a flowing mirror experience with surreal visual power.

However, virtuality and reality are not connected to each other because of the process, just like the present and the future, they will arrive together in the process of integration, organization and coordination.

因此，当我们在考虑科技为人类服务的时候，科技并非目的。

在科技与传统共生的时代里，我们希望以快速发展的科技为支点，以海德格尔的“存在”为依据，重新回归人的本源，体察人的经验与情感，以此完成人类社会从机械秩序走向生命秩序的过程。

So when we think about technology serving humanity, technology is not the end.
In the era of symbiosis between technology and tradition, we hope to take the rapidly developing technology as the fulcrum and Heidegger's "existence" as the basis to return to the origin of human beings, understand human experience and emotions, and complete the process of human society from mechanical order to life order.